Not  long  after  defeating  the  rightful  heir  to  the  Buddhist  Sailendra  Dynasty  and  converting  his  kingdom  into  the  Hindu  Mataram  kingdom,  the  succeeding  kings  of  the  Sanjaya  Dynasty  set  about  erecting  the  biggest  Hindu  temple  complex  on  Java  island.  It  was  said  that  King  Daksa  was  responsible  for  building  many  major  Hindu  temples  shortly  after  he  ascended  the  throne  in  910  though  some  sources  point  to  his  predecessor  King  Balitung.  Documentary  information  on  the  temples  and  kingdom  are  fairly  limited.

Today  this  complex  of  multiple  majestic  towers  is  known  as  the  Prambanan  Temple,  the  largest  and  grandest  in  Indonesia  and  one  of  the  biggest  in  South-east  Asia.  It  has  been  listed  as  a  UNESCO  World  Heritage  site.  There  was  approximately  240  towers  of  shrines  but  only  around  10  of  them  have  been  restored.  Work  started  in  1918  and  the  rescue  process  is  still  on-going.  Due  to  shortage  of  funds  and  excessive  loss  of  original  materials,  the  process  has  been  slow.  The  recent  earthquake  of  2006  caused  much  damage  to  already  resurrected  ones.  Entry  into  these  towers  is  now  disallowed  until  repairs  have  rendered  them  safe  again.

Prambanan  temple  is  generally  dedicated  to  God  Siva  or  Siwa  in  Indonesia.  It  was  believed  that  during  the  period  of  its  construction,  followers  were  mainly  of  the  ‘Siva  sect’,  Siva  was  regarded  as  the  Supreme  God  or  Mahadeva.  It  was  further  said  that  King  Balitung  was  revered  as  the  ‘deva-raja’  or  ‘god  king’,  he  was  a  re-incarnation  of  Siva  and  when  he  died  the  temple  was  built  to  commemorate  him  as  Siva.

According  to  locals,  this  temple  is  also  known  as  Candi  Lara  Jonggrang  or  Temple  of  the  Slender  Virgin  following  a  famous  legend.  In  certain  versions,  Candi  Lara  Jonggrang  only  refers  to  the  main  tower  dedicated  to  God  Siva  and  the  ‘slender  virgin’  is  depicted  by  a  beautiful  statue  of  his  consort  (Durga  Mahisasuramardani)  in  one  of  its  side  chambers.

 
Six of the majestic towers standing on the legendary fertile plains once the site of a prosperous civilisation.

According to folklore, the beautiful princess Lara Jonggrang was forced to marry the evil Bandung Bondowoso. After much negotiation, he agreed that it will be conditional upon building 1000 statues. However, he was not able to finish the final one due to the princess’ clever trick to foil his effort. In rage, he turned the princess into the 1000 th statue. The statue of the ‘slender virgin’ is now in the north chamber of the main tower.
 
The complex originally had 3 zones: outer zone with a rectangular perimeter wall (no more in existence), middle zone consisting of 224 individual smaller towers – candi perwara and central compound which is the holiest area for 16 big shrines for the gods and other deities.

The central compound encompasses the area on an elevated platform. Standing on it are the 3 largest shrines dedicated to gods Siva, Brahma and Vishnu, 3 slightly smaller ones to their respective vehicles and other minor shrines (their functions are unclear).

Most of the candi perwaras are now in the form of disintegrated stone blocks. One of the very few redeemed stands among heaps of stones on the extreme right (middle ground).
 
The largest shrine is dedicated to God Siva. It faces east, stands at 47m tall and has a width of 34m. There are 5 chambers inside – the central and biggest houses his stone statue of 3m height and 4 smaller chambers each facing a cardinal direction, 3 of which houses a related deity.
 
Stairway to the entrance. The tower stand on a platform base rising in concentric plains representing the levels of heaven. It is similar architecture and decorative detailing for all shrines in the central compound though those to the 3 principle gods are the grandest.
 
Highly ornate platform base of a principle shrine complete with a good drainage system to deal with high storm waters. The creatively sculptured water spouts - makaras at the corners are most eye-catching.
 
The balustrades above the base level are also elaborate with decorative carvings and narrative bas reliefs of legends and mythical creatures.
 
At the centre, above a doorway (hidden in picture), the fierce face of a guardian deity - Kala. The damage done by the 2006 earthquake is clearly evident.
 
One of the 2 smaller shrines called Candi Apit in the central compound. They are situated near the Vishnu - Brahma temples and their vehicles respectively. The exact function of these shrines has yet to be clarified.
 
A Chandi Kelir, the smallest of the shrines on the central compound and on its immediate left (back), a beautiful gateway. There are a total of 8 Kelirs and their function are also yet to be known.
 
Three magnificent towers as seen from the open-air Ramayana ballet theatre site. Some experts are of the opinion that the temple complex is dedicated to the Hindu Trinity or in Indonesian, Trimuti - ‘three sacred places’ of God Siva, Vishnu and Brahma. The shrines’ walls and balustrades are extensively covered with narrative bas reliefs on excerpts from the Ramayana epic.