The  modestly  sized  Mendut  Temple  is  included  into  the  UNESCO  World  Heritage  site  of  Borobudur  Archaeological  Park  together  with  the  mammoth  Borobudur  Temple  and  relatively  tiny  Pawon  Temple.  These  3  ancient  temples  all  lie  in  a  straight  line  -  a  long  axial  path  with  Pawon  in  the  centre,  strongly  suggesting  a  religious  connection  between  them.  Mendut  and  Pawon  faces  north-west,  an  unusual  direction  for  Buddhist  temples  but  it  is  the  direction  towards  Borobudur.  Archaeologists  generally  believe  that  all  3  were  structures  that  form  part  of  a  single  complex.  It  was  also  said  that  a  road  with  walls  on  both  sides  once  linked  them  together.  But,  nobody  is  certain  on  the  nature  of  their  relationship.

At  present  time,  they  are  associated  by  celebration  of  a  very  important  event  in  the  Buddhist  calendar  -  Sakyamuni  Buddha’s  enlightenment.  Wesak  or  Waisak  as  it  is  called  in  Indonesia  falls  on  the  day  of  a  full  moon  and  usually  correspond  to  a  date  in  the  month  of  May  or  June  in  the  western  calendar.  A  large  procession  of  monks  and  pilgrims  from  all  over  Indonesia  and  the  world  starts  from  Mendut  through  Pawon  and  onto  Borobudur  for  the  main  and  final  ritual  of  symbolic  attainment  of  ultimate  wisdom.  The  complete  journey  comprising  of  6  kms  walk  between  temples,  an  uphill  climb,  chanting  and  circumambulating  on  ascending  levels  of  platforms  to  the  peak  of  the  gigantic  shrine  is  quite  an  endeavour.

Mendut  Temple  is  the  oldest  of  the  temples  along  the  axial  path,  completed  in  the  9th  century  during  the  reign  King  Indra  of  the  Sailendra  Dynasty.  It  could  be  in  the  year  of  824.  Dutch  archaeologist  JG  de  Casparis  deduced  from  inscriptions  on  the  temple  that  this  was  the  sacred  building  called  Venuvan  or  ‘Bamboo  Forest’.  Within  the  single-cella  temple,  archaeologists  also  found  an  older  structure  probably  dating  back  to  1st  century  CE.  Originally,  it  was  a  large  walled  complex  surrounded  by  a  brick  enclosure  measuring  110  by  50  m.  However,  only  the  main  temple  structure  has  been  partially  restored.

Uniquely,  this  temple  has  three  magnificent  statues  of  Buddha  and  2  boddhisatvas  occupying  the  cella.  The  striking  symmetrical  arrangement  of  their  positions  and  complementary  body  gestures  bind  them  into  a  triad  that  holds  special  spiritual  meaning.  Each  of  these  huge  statues  has  been  carved  from  a  single  piece  of  rock  on  site  and  later  the  walls  and  roof  built  around  them.  This  overcame  the  problem  of  moving  the  huge  sculptures  through  the  smaller  doorway.

 
View from the east. Buddhist temples usually face east, the direction of the rising sun but this temple is oriented along a North-west/South-east axis. The terrace on the elevated square-platform base provides the path for circumambulation around the temple.

It was believed that the aerial perspective share a similar form like that of Borobudur - a tantric mandala. There is probably another tier structure on top of the existing flat roof, crowned by a stupa. The ruins were found under a mound of volcanic ash in 1836. Restoration works started in 1897 and only ended in 1925. Many original blocks including key ones essential to define reconstruction under anastylosis principles were never found.
 
Remains of the vestibule to the front and only entrance of the temple. The building blocks are also crafted from andesite or volcanic stones. The inner wall surface are adorned with bas reliefs of Hariti (Goddess: protector of children, easy birth, child-rearing and parenting), her male counterpart Atavaka, Kalpataru the ‘wish-fulfilling tree’ and devatas (deities) flying in heaven.
 
Gilded statue of Buddha Sakyamuni measuring 30m in height sits in the middle. His hands are raised and held in a ‘preaching’ position, legs down (characterised by some as ‘European’) and feet resting on a stone lotus.

The ‘triad’: Buddha is flanked by boddhisatvas Avalokitesvara and Vajrapani – in next pictures – on his right and left respectively. This has special spiritual meaning to local devotees. It was believed that Buddha can liberate humans from their bodily karma.
 
Local devotees believed ‘Boddhisatva Avalokistesvara liberates humans from their karma of speech.’ The statue has been positively identified because he is on the right of Buddha (our left) and a small figure of Jina Amitabha in his hair. The left leg is folded and left hand raised - another gesture of discussing religious matters.
 
Local devotees believed ‘Boddhisatva Vajrapani liberates humans from their karma of thoughts.’ He has been identified from his left position of Buddha and slightly demonic and threatening looks. He is the guardian of temples and protector of Buddha. In symmetry with the others, his right leg is folded and right hand raised - also gesturing religious discussion. (Some experts interpret this statue as that of Maitreya, ‘the saviour of humans’.)
 
Delightful details near the entrance. Many exquisite sculptures across outer walls of the temple illustrates children’s fables.
 
Experts believed that deities carved on the central panels of the 3 outer side walls correspond to the images of the Boddhisatvas inside the cella with religious meaning. The central figure on the throne in the bas relief picture is a goddess flanked by 2 other deities believed to be Boddhisatvas Maitreya and Samantabhadra.
 
The large central bas relief figure standing with 4 arms is ‘back-to-back’ with Sakyamuni Buddha statue in the cella. He has been identified as a form of Avalokitesvara in his role as the lord of the Three Worlds. He rules over the current age and is believed to be an outward expression of the temple’s central deity
 
The 3rd panel of bas reliefs shows a goddess on the throne in the centre flanked by boddhisatvas believed to be Manjusri (left) and Khagarbha (right). These are ‘back-to-back’ to the statue of Vajrapani inside the cella.
 
A symbolic iron pillar rises from a lotus pond at the current day monastery sited within the compounds of the original temple complex. The pillar is topped by an umbrella, stupa and Buddha’s eyes including the 3rd - all representative of Buddha and enlightenment. This monastery provides meditation programs for non-residents.